A Good Kind of Trouble

When is it time to stop avoiding trouble and instead walk right in?

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Shayla and her best friends Isabella and Julia are 7th graders at Emerson Junior High. African American Shayla, Latinx Isabella and Japanese American Julia call themselves the United Nations. Though they are each from a different background they are united in friendship. Shayla struggles as she notices things changing around her. Julia is now spending time with a group of Asian girls; Shayla is confused by her sudden jealousy of Isabella’s talent and attractiveness; as one of a few Black students in her school, she wonders if she should have more Black friends but feels awkward trying to make connections.

Shayla’s concerns go beyond the usual junior high drama, as her community is watching the trial of a police officer who shot an unarmed African American man. In Shayla’s mind the verdict should be obvious – there was a video! With guidance from her parents and older sister, Shayla starts to understand the complexity of her world. Once the verdict of the trial is announced Shayla knows she wants to do something, but is she ready for the consequences?

This book does an incredible job of exploring activism, Black Lives Matter and issues of police violence in a way that will resonate with younger readers. The cast of junior high school characters is constructed realistically in action and voice. Crushes, shifting friendships, and questions of identity are all dealt with just as young people face them. The author fits the bigger social issues squarely in this context, making the discussion both accessible and relatable for these readers.

Pick up a copy of this powerful book at your local bookstore.

 

 

 

Black Enough?

What does that mean? Who gets to decide?

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This collection of stories by some of the best young adult authors writing today examines what it means to be a young black person. Are you still black if you’re a Star Wars nerd? Into tech? A fan of Harry Potter and Percy Jackson? A debate champ who’s also a metalhead? Are open about mental health issues?  Love the outdoors? Wonder if you have to code switch within the black community? These are just a few of the issues teens confront here. As in real life, the young people in these stories are privileged, poor, queer, straight, artistic, insecure, confident, have families that are Afrocentric, and families where blackness is not at the forefront. Black youth coming from all types of backgrounds deal with questions of legitimacy. Although they have different experiences and expectations, they often feel judged against some vague set of standards, making it difficult to feel like they’re “doing it right.”  This raises an important question – is judging a person’s blackness actually buying into stereotypes about ourselves? Regardless, I have no doubt a wide variety of young people will find themselves in these stories. This will also resonate with a lot of adults as one of those “I wish I had this when I was a teen” books.

If you aren’t black, read this book anyway. Anyone from a culture where people feel free to call your authenticity into question will relate to the stories in this collection.

In case you’re still wondering, Ibi Zoboi, editor of this collection, answers the question. She hopes that “…Black Enough will encourage all black teens to be their free, uninhibited selves without the constraints of being black, too black or not black enough.” In other words, the answer is yes, you, in all your nerdy, swaggerific, techy, metal music loving, sneakerheaded, privileged, struggling, code switching self, are black enough.
Click here to buy Black Enough from an independent bookstore!

 

Three Friends, Shifting Feelings…

…and a lot of questions.

39848512Teenagers Courtney Cooper, Rae Chin, and Jupiter Charity-Sanchez form a relationship triangle complicated by questions of sexuality, loyalty and shared trauma. Jupiter and Coop have been best friends since elementary school. African American Coop is straight and Afro-Latinx  Jupe is queer; no one questioned their childhood sleepovers continuing once they  became teens. They have loving, emotionally intimate relationship. Whenever Coop breaks up with a girlfriend Jupe is there to play Queen’s “Another One Bites the Dust,” for their traditional break up dance party. Chinese-Irish Rae Chin moves to town with her doctor father who works at the same hospital as Coop’s mother. Rae connects with Jupe because they’re both biracial and into community service; they become close. Rae grows close to Coop when she learns they had a shared interest as children which is connected for both of them to the traumatic loss of one of their parents. Coop and Jupe feel confident of their sexuality, but Rae is questioning. She finds herself attracted to both of them, and while her feelings are sincere it takes her time to sort them out. A declaration on Rae’s part leads Jupe to make a difficult and selfish decision, resulting in hurt, anger and for her, confusion.

This is the best book dealing with young people’s sexuality that I’ve ever read. The narrative gives a realistic view of how changing circumstances can lead to confusion even when the answers seem certain. It resists labels, pigeonholing and punishment, and shows even people who care deeply about each other can make hurtful mistakes. The honest and engaging characters avoid stereotypes. The structure of the book, 3 sections told from each teen’s perspective and in their own style, adds depth. The teens’ household configurations – Coop and Rae with single parents, Jupe with her two dads – and their connections with their wider friend groups make the story even richer. Despite the serious elements, this book is fun, and will resonate with many readers.

Odd One Out, Nic Stone, Crown Books

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