Slay

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Kiera is a teen coder and videogame player who tires of the racism and toxicity in the online gaming world. This inspires her to create her own virtual reality MMORPG* called Slay.  Slay exists as a place for Black gamers to celebrate Black excellence. Joining the game requires a passcode, which can only be obtained from a current member – and only after asking the right question. She keeps Slay secret from her parents, her sister and especially her boyfriend. His view of Blackness is very rigid and holds no room for videogames or the people who play them.

Things fall apart when a Slay gamer is killed by another participant. Suddenly this undercover game is public knowledge. Certain people claim that it’s racist because Slay’s a space only for Black players, but these critics never acknowledge the persistent racism gamers of color have to contend with in mainstream online games. The pressure on Kiera builds with the talk of lawsuits. The suits claim that excluding White people violates their civil rights.  Media depictions emerge suggesting that the game targets at-risk and poor Black youth. Things continue to escalate, forcing Kiera to make a bold decision in an attempt to save the game and have it be recognized for what it really is.

This book is no fantasy. The harassment described in the book are things gamers of color (as well as female and queer gamers) regularly experience. The narrative accurately depicts how media “experts,” who know nothing about the game or gaming, pontificate and spread inaccurate information with great confidence. This book does a powerful job of using the lens of the game to explore Black identity, respectability politics,** toxic male behavior and how anonymity can be both a weapon and a shield.

It is not necessary to be a gamer to love this book. The plotlines around Kiera’s relationships with family and friends, and the lives of the Slay players we meet are realistic and relatable. Author Brittney Morris crafts the game itself beautifully. The language describing Slay’s design and in-game action is exciting and cinematic; you can see everything play out. The game’s elements – battles, hexes and defenses – are based on Black culture. A player can attack with Twist Out, which makes the character’s natural hair grow out and immobilize the opponent. They can defend with Jimi Hendrix, which obscures their opponent’s vision in a purple haze. I’m tempted to list them all, but you should read the book yourself and learn about the power of Shea Butter, Reclaimed Time, Resilience, Innovation – and Mom’s Mac and Cheese.

You can learn more about gaming-while-Black and see some sample Slay cards in this essay by the author.

Slay makes a great gift for readers on your list – or yourself! Find it at your local bookstore.

*Massively Multiplayer Online Role Playing Game

** Respectability politics is the problematic belief that marginalized people should conform to a certain standard of behavior and presentation so they can earn the approval of the group in power. Read a great discussion of this on “The Root”.

 

They Called Us Enemy

42527866Good stories always stand on their own, but some stories resonate even more if they are particularly timely.  Actor and activist George Takei’s graphic memoir of his experience during World War 2 is one of those stories, given the disgraceful events happening in America right now at our Southern border.

They Called Us Enemy tells the story of Takei’s childhood as one of 120,000 people of Japanese ancestry who were taken from their homes and forced into concentration camps. He was 5 years old when his family was first relocated. His parents tried to protect him from the reality of what was going on, so in his young mind this started out as an adventure.

Through his experience, we see what life was like in the camps and the different ways it affected people. Among many disturbing things, he reveals how children internalized what was going on around them, no matter how hard adults tried to shield them. They acted out “Japs vs. Americans,” shouted “die Japanese cowards” and fought for a turn to play the Americans. What damage did this do to the young people in these camps?  What does this say about the damage being done today to children being held at our nation’s borders?

Obviously, it was no better for the adults. The harsh living conditions, constant questioning of their loyalties and repeatedly being set against one another made for a bleak existence.

Takei’s story covers that time through current day, reflecting back on the grave injustice done, the generational impact and how some of the same things are occurring again.  Harmony Becker’s black and white, manga influenced art does a masterful job of communicating Takei’s innocence without downplaying the horrors around him. Unlike many families, Takei’s was willing to talk about it when he was older, helping him fully understand the bigger picture of what he and Japanese Americans suffered through. This led to Takei’s vocal social justice activism, which continues to this day.

This difficult, inspiring story is a good reminder that if we aren’t vigilant, the worst of history will repeat itself.

Find They Called Us Enemy at your local bookstore or comic book shop.

The Love & Lies of Rukhsana Ali

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17-year-old Rukhsana Ali is a queer Muslim girl of Bengali descent living in Seattle. She’s out to her friends, deeply closeted to her parents. Her conservative parents are strict followers of Bengali social traditions. They expect Rukhsana to spend more time honing her housekeeping skills (in preparation for marriage), than on her education. Rukhsana wants to study physics and astronomy; she secretly applied and was accepted to Caltech. At first her parents were upset, but they eventually decided this would make Rukhsana more attractive in the matchmaking market. When her parents discover Rukhsana with her girlfriend Ariana, they cannot and will not accept it. They take Rukhsana to Bangladesh, explaining that her beloved grandmother is very sick. Actually, they plan to keep Rukhsana there until they can marry her off to a good Bengali boy. Devastated and angry, Rukhsana plots her escape.

The beauty of this book is its refusal to be a simple good vs. bad story. It shows love for Bengali culture without excusing how it literally endangers some of its people’s lives.  The narrative is exceptionally well crafted, illustrating the conflict Rukhsana feels.  The heritage Rukhsana loves and embraces makes no room for her as a queer woman. Her parents are written with dimension; rather than simply making them villains, there is context for their sometimes cruel decisions. The story is made richer by the other people in Rukhsana’s life. Her relatives, her white girlfriend and other young Bengalis in Rukhsana’s same situation all bring different perspectives, making the story even more complex. Move this heartbreaking, hopeful book to the top of your To Be Read pile.

Find The Love & Lies of Rukhsana Ali at your  local independent bookstore.

Hot Comb

For Black women, hair can be a political issue.

41940338Hot Comb contains a collection of comics centered on the ways hair choices impact how Black women are seen by themselves and by society. The comics also show how, between mothers and daughters or among friends, hair can be both a way to bond or a source of conflict. Black women’s hair is a complicated issue. In the dominant culture, natural hairstyles have been criticized, and in Black culture straightened hair can be judged. Is it wrong to want to wear your hair the way it grows out of your head? Is choosing to straighten hair problematic? Although it’s good to see these experiences represented, being reminded of the conflicts is also a bit painful. Regardless, many Black women will recognize the scenarios: spending long days in the salon, the “can I touch your hair” issue, keeping your head above water while swimming, or pondering having hair that’s natural, straight, or something else entirely.

The narrative successfully weaves hair issues into a variety of “just another day” vignettes. The black and white art is realistic, but stylized in a way that supports the stories well. It’s at its best in pages replicating ads for wigs and hair products that used to be found in Black magazines. They add depth to the stories and will no doubt bring back memories for many readers. This book is geared to adults but since hair questions for Black women begin in childhood, the stories will also resonate with teens. In the end, it’s a reminder for Black women to get through the hair journey and embrace wherever we land.

Find Hot Comb at your local independent bookstore or comic book shop.

With The Fire on High

Sometimes the heat is what draws you to the kitchen.

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17-year-old Afro-Latinx Emoni Santiago dreams of being a chef. Her creativity in the kitchen is stellar, and her instincts always lead her to new culinary places. But her dream may remain just that. Emoni got pregnant as a high school freshman and is  now raising her 3 year old daughter Emma. They live with Emoni’s grandmother. Emoni’s  mother died when she was a baby and her father felt it was more important for him to go back to Puerto Rico than stay home and care for Emoni. Emoni has a tenuous relationship with the baby’s father who is present for Emma, less so for her. Unsurprisingly her family has serious financial struggles. A new culinary arts class, which includes a trip to Spain to study under local chefs, is offered at her high school. She knows it won’t be easy but she wants this. With an aging grandmother, toddler child, and minimal financial resources, Emoni has to figure out how to make it work.

This book’s author, Elizabeth Acevedo, has won multiple awards for her first book, The Poet X, written in verse. She easily switches to prose here, creating equally compelling storytelling. The narrative doesn’t sugar coat Emoni’s struggles but presents her with full agency. Emoni’s commitment to her education, her daughter and cooking is clear. She creates opportunities and dares to imagine a future for herself. The other people in Emoni’s life are more than backdrops. By providing context for their actions, Acevedo avoids simplistic good/bad characterizations..  This honesty results in a powerful, realistically hopeful story. Warning: read this book near your kitchen – reading about Emoni’s culinary creations will either inspire you to try some of your own or just make you hungry!

With the Fire on High is available now at your local bookstore.

 

A Good Kind of Trouble

When is it time to stop avoiding trouble and instead walk right in?

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Shayla and her best friends Isabella and Julia are 7th graders at Emerson Junior High. African American Shayla, Latinx Isabella and Japanese American Julia call themselves the United Nations. Though they are each from a different background they are united in friendship. Shayla struggles as she notices things changing around her. Julia is now spending time with a group of Asian girls; Shayla is confused by her sudden jealousy of Isabella’s talent and attractiveness; as one of a few Black students in her school, she wonders if she should have more Black friends but feels awkward trying to make connections.

Shayla’s concerns go beyond the usual junior high drama, as her community is watching the trial of a police officer who shot an unarmed African American man. In Shayla’s mind the verdict should be obvious – there was a video! With guidance from her parents and older sister, Shayla starts to understand the complexity of her world. Once the verdict of the trial is announced Shayla knows she wants to do something, but is she ready for the consequences?

This book does an incredible job of exploring activism, Black Lives Matter and issues of police violence in a way that will resonate with younger readers. The cast of junior high school characters is constructed realistically in action and voice. Crushes, shifting friendships, and questions of identity are all dealt with just as young people face them. The author fits the bigger social issues squarely in this context, making the discussion both accessible and relatable for these readers.

Pick up a copy of this powerful book at your local bookstore.

 

 

 

Genesis Begins Again

Can changing the outside change the inside?

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Genesis has long been scorned by other African American girls for her very dark skin. Charcoal, Ape and Blackie are just a few of the names she allows herself to be called. She’s heard this disgust at her appearance her entire life from peers and her own family and accepts it as truth. Some girls put together a list of 100 Reasons Why We Hate Genesis – and Genesis has begun to add to the list herself. Her fair-skinned mother loves her, but her grandmother lays out chapter and verse of why light-skinned people are naturally superior to those with dark skin. Grandma indulges in colorism, the practice of stereotyping other African Americans based only on how light or dark they are. Genesis’s dark-skinned father is undependable, struggling with addictions and inability to keep a job, reinforcing the negative lessons her grandmother hands down. Her mother is doing her best to keep the family afloat, but Genesis takes it upon herself to try to solve the adults’ problems. She believes being lighter is the first step to making things better for herself and her parents. She tries rubbing lemons on herself, adding bleach to her bathwater, and scouring her skin, enduring physical pain to help heal her emotional pain.

Genesis gets a chance to start over when her father seems to have straightened up and moves the family into a new home in a nice neighborhood. She makes friends at her new school, including a very dark-skinned boy who loves himself and tries to help Genesis understand how to do the same. Support from a music teacher helps Genesis gain self-confidence, but things don’t change overnight. The damage from a lifetime of self-hate doesn’t magically disappear.

The beauty of this book is its complexity. All of the characters are given dimension, which helps us understand their actions.  The concepts of colorism and internalized racism are accessible to middle school aged readers but are not oversimplified. The narrative makes clear that these concepts harm both dark and light skinned people. Genesis deals with typical middle school issues, such as being attracted to the popular crowd, putting up with insults for the sake of friendship, and balancing fitting in with finding yourself. However, the focus remains on the effects of internalized racism and colorism. This tough story is told well, with an optimistic but realistic ending. I hope it leads all of us to think about the messages we’ve absorbed over time and to be more conscious of the harm we may be doing to ourselves and others.

Find Genesis Begins Again at your local bookstore.